Within the context of mythology and operatic representation, Gioachino Rossini's Semiramide (1823) offers a fascinating exploration of legendary themes transformed through musical narrative. Based on Voltaire's tragedy Sémiramis, itself inspired by the semi-legendary Assyrian queen Semiramis, the opera exemplifies how historical figures become mythologised through artistic interpretation.

The historical Semiramis (or Shammuramat) ruled Assyria as regent from 811-806 BCE, but her story has been embellished over centuries with legendary exploits and supernatural elements. By the time her narrative reached Metastasio, whose libretto inspired Rossini's composition, Semiramide's character had evolved into a complex blend of power, tragedy, and mythic dimension.

Rossini's operatic treatment draws parallels between Semiramide and figures from classical mythology, particularly in themes of forbidden love, betrayal, and fate—echoing narratives such as the Greek myths of Oedipus and Phaedra. The queen's tragic downfall follows recognisable mythological patterns, where characters cannot escape prophecy despite their attempts to circumvent destiny.

In the opera, Rossini introduces Semiramide's complex emotional landscape through sophisticated musical characterisation, reflecting these mythological undercurrents. The work delves into the consequences of family transgressions and inescapable prophecies, central motifs in classical mythology where characters' lives are governed by forces beyond their control.

The 2010-2011 season performance by Kunsthuis Opera Vlaanderen, now available on DVD, showcases this operatic retelling of a mythologised historical figure. For those interested in the intersection of history, myth, and artistic expression, this production offers insight into how ancient narratives continue to resonate through musical interpretation, transforming historical figures into vehicles for exploring enduring themes of human vulnerability in the face of fate.