Discover the MythCloud

In Baltic folk traditions, waistbands adorned with spruce-inspired patterns hold deep symbolic significance.

These designs often represent the Tree of Life, a motif symbolizing growth, continuity, and the interconnectedness of all living things. Additionally, such patterns are associated with deities like Laima, the Goddess of Fate, who governs destiny and fortune. The incorporation of these motifs into textiles is believed to offer protection and safety to the wearer. These versatile accessories can function as belts or headbands, serving both practical and symbolic purposes in traditional attire.

‍

‍

Pegasus, Inventory No. 3265/8, is an ink drawing by Alfred Ost, depicting the mythical winged horse from Greek mythology.

Pegasus is typically associated with the heroic tale of Bellerophon and is often seen as a symbol of poetic inspiration and divine beauty. Ost's rendering captures the dynamic essence of this mythical creature, highlighting its elegance and power.

‍

The ink drawing Youth Orpheus, Inventory No. 2711/40, by James Ensor, forms part of the collection at the Royal Museum of Fine Arts in Antwerp.

This piece captures the legendary musician and poet Orpheus, known from Greek mythology for his enchanting music that could charm all living things and even inanimate objects. Ensor’s interpretation likely reflects his distinctive style, which blends mythology with expressive and sometimes surreal elements, showcasing his ability to imbue classical themes with a modern perspective.

‍

‍

The artwork titled A Pencil Sketch of the Painter Titian, Painting Venus, Inventory No. 2138(I)/33, was created by Nicaise De Keyser.

It depicts the famous Renaissance painter Titian, seen in the act of painting his renowned work Venus of Urbino. This pencil sketch emphasizes the artist's admiration for Titian and his contribution to the development of portraiture and classical themes.

Revolutionary Ireland by Lorcan Collins offers a compelling journey into the turbulent years that shaped modern Ireland.

Collins, known for his accessible and engaging style, distills complex events into a vivid narrative that brings Ireland’s fight for independence to life. Through rich storytelling and rigorous research, the podcast explores the key figures, battles, and political landscapes that marked the revolutionary period, covering pivotal moments like the Easter Rising, the War of Independence, and the Civil War.

For history enthusiasts or those curious about Ireland's path to sovereignty, Revolutionary Ireland provides a fresh perspective on the people and passions that fuelled a nation’s transformation.

Ireland’s first ever Wake Museum will take you on an exploration of life and death, detailing traditions and superstitions, from early Christian times right up to the 20th century.

Situated in what was once a 15th-century Almshouse, the Irish Wake Museum – Rituals of Death offers visitors a rare opportunity to explore one of the most iconic parts of Irish culture, through the eyes of an expert, on this fully guided tour.

In this atmospheric building associated with life and death in Waterford across six centuries visitors are taken on a fascinating journey across our history. In this intimate space the themes of death and funeral practices are explored in order to gain a true understanding of the origins of a wake’s unique customs.

The folk tale explaining why lightning strikes trees is a Lithuanian sakmė, a type of fantastical folk tale that seeks to explain natural phenomena.

In this story, Perkūnas, the thunder god, had a pile of stones. When a devil stole one of the stones to use as part of his shed's foundation, Perkūnas became enraged. To punish the thief, he began striking wherever he could. Sometimes, Perkūnas would strike the devil while he hid on a stone, in a tree, or even while swimming. The devil, attempting to escape Perkūnas' wrath, would climb higher onto stones or into taller trees. This is why people were warned not to stand under high trees, as the devil might be hiding there, and Perkūnas would strike it to punish him. The taller the tree, the better the devil could see Perkūnas coming, which explains the connection between lightning and tall trees in this tale.

This narrative, like others in Lithuanian folklore, is part of the tradition of etiological legends, which aim to explain the origins of natural phenomena and celestial events. The tale is adapted and translated from How the Earth Came to Be: Lithuanian Etiological Legends (Kaip atsirado žemė: lietuvių etiologinės sakmės), compiled and edited by Norbertas Vėlius.

[5/7]

The 1960s heralded a cultural shift as Ireland began to open up to external influences. This episode investigates the emergence of a new mythology surrounding a modern, progressive Ireland, challenging traditional notions of national identity and fostering a broader understanding of what it meant to be Irish.

Directed and produced by Seán Ó Mórdha, Seven Ages: The Story of the Irish State presents a narrative of Ireland's evolution as a complex interplay of historical events, national mythologies, and collective self-perception. This series underscores the significance of cultural narratives in shaping a nation's identity and trajectory, illustrating how myths and storytelling serve as powerful tools in the ongoing process of nation-building.

Each episode explores critical events, political developments, and societal changes that have contributed to the formation of modern Ireland. The series stands as a testament to the rich and complex history of Ireland's evolution since its founding in 1921. The series is further enriched by interviews with influential Irish figures, including former Presidents Patrick Hillery and Mary Robinson, and ex-Taoisigh Liam Cosgrave, Charles Haughey, and Garret FitzGerald. Contributions from Desmond O'Malley, Michael D. Higgins, and various experts in history, journalism, economics, and public service provide additional depth and context. By examining the interplay of historical events, collective self-perception, and the evolution of national mythologies, the series offers a comprehensive understanding of the complex history of the Irish state.

First broadcast in 2000, Seven Ages remains a valuable resource for anyone seeking to unravel the diverse tapestry of Ireland's past and its enduring impact on the nation's present. Produced by Araby Productions in association with The O'Reilly Foundation for RTÉ and BBC Northern Ireland.

Faun and a Satyr, Carrying a Fruit Basket, Inventory No. 10562, is a piece by Peter Paul Rubens housed at the Royal Museum of Fine Arts in Antwerp.

The print features mythological figures—specifically a faun and a satyr—depicted in a classic, playful manner, characteristic of Rubens' exuberant portrayal of mythological subjects. The faun and satyr are shown together, engaged in the carrying of a fruit basket, highlighting Rubens' flair for combining dynamic human forms with classical iconography.

‍

The concept of myth has long been recognised as a tool to address existential uncertainties and imbue human actions with meaning. In its early forms, myth was not perceived as false, but rather as a narrative that helped make sense of the world. This understanding shifted with the emergence of political myth, a deliberate construct created to consolidate power and influence.

In this analysis, the paper examines the role of political myth within the context of the Round Table and the Fourth Republic of Poland, particularly during the political period of 2005-2007. Through the study of political speeches and election campaigns from 2005 and 2007, the paper explores how myths, often irrational in nature, are intertwined with the rational techniques employed to propagate them. This duality reveals how political narratives can be crafted to shape public perception and serve strategic objectives.

Žalioj girelė jau geltonuoja is a traditional Lithuanian folk song, recorded by renowned Lithuanian scholar Jonas Basanavičius in the late 19th and early 20th century.

The song was sung by villagers from Gačiškiai village and is a beautiful example of Lithuanian folklore capturing the seasonal changes in nature. The original audio of this folk song, along with its cover image, has been archived and preserved by the Lithuanian Institute of Literature and Folklore, ensuring the continuity of this cultural heritage.

For more information and to explore the full archive, you can refer to the Lietuvių literatūros ir tautosakos instituto Lietuvių tautosakos archyvas.

‍

‍

A Bronze Sculpture Depicting the Mythical Beast Sphinx, Inventory No. 3079, is a work by Rik Poot, held at the Royal Museum of Fine Arts in Antwerp.

This sculpture exemplifies Poot's fascination with mythological themes and his ability to convey a sense of mystery and power through his dynamic forms. The Sphinx, a legendary creature symbolizing riddles and wisdom, is rendered in bronze, highlighting Poot's skill in using texture and volume to bring mythic subjects to life.

‍

The naginės are traditional Baltic leather shoes, often associated with rural or village folk culture. These handcrafted shoes were designed for practical, everyday use, typically worn by the people of the Baltic states—Lithuania, Latvia, and Estonia.

The shoes are made from soft leather, which was once a locally sourced material, and they are notable for their simplicity and durability, providing both comfort and functionality for walking long distances in natural environments.

While images of naginės shoes may not be widely catalogued online, they are still crafted by artisans in the region as part of a broader revival of traditional Baltic handicrafts. You can find similar Baltic leather goods, such as handcrafted sandals and boots, which may offer insight into the construction and style of naginės shoes. For more details about Baltic leather crafts and their modern iterations, you can explore local craft markets in cities like Vilnius, Riga, and Tallinn, or artisan shops that specialize in traditional footwear​

For images of similar traditional shoes, I recommend browsing through Baltic handicraft online stores or visiting specialized craft marketplaces where these types of shoes might be available.

‍

For centuries, the Irish Wake has been more than just a funeral rite - it's been a unique expression of how Irish people cope with, commemorate, and celebrate death. This fascinating aspect of Irish cultural heritage is now being preserved and showcased at Waterford's museum quarter, the only one of its kind in Ireland.

This episode of Talking History looks at the history of Irish wakes and explores Irish beliefs and practices about death over the centuries. Step into the fascinating world of Irish cultural history and explore one of our most profound traditions - the Irish Wake. On a recent episode of "Talking History" with Patrick Geoghegan, this rich cultural practice took centre stage, inspired by the opening of Ireland's first dedicated Irish Wake Museum at Waterford Treasures.

For Dave Allen, Ireland is the only place in the world that really accepts death. He describes the ritual of the wake as a marvellous celebration. The wake is a joyful occasion. Dave Allen tells the story of a man arriving in a small town in Ireland following the death of a local woman who was hated by everyone in the town. This episode of ‘The Late Late Show’ was broadcast on 6 October 1979. The presenter is Gay Byrne.

[2/7]

The rise of Fianna Fáil, under Éamon de Valera, marked a significant shift in Ireland's political landscape. This episode examines how the party promoted traditional Irish values and culture as vital elements of nation-building, reinforcing a sense of identity that connected the populace to their heritage and the notion of a cohesive national narrative.

Directed and prouced by Seán Ó Mórdha, Seven Ages: The Story of the Irish State presents a narrative of Ireland's evolution as a complex interplay of historical events, national mythologies, and collective self-perception. This series underscores the significance of cultural narratives in shaping a nation's identity and trajectory, illustrating how myths and storytelling serve as powerful tools in the ongoing process of nation-building. Each episode explores critical events, political developments, and societal changes that have contributed to the formation of modern Ireland.

The series stands as a testament to the rich and complex history of Ireland's evolution since its founding in 1921. The series is further enriched by interviews with influential Irish figures, including former Presidents Patrick Hillery and Mary Robinson, and ex-Taoisigh Liam Cosgrave, Charles Haughey, and Garret FitzGerald. Contributions from Desmond O'Malley, Michael D. Higgins, and various experts in history, journalism, economics, and public service provide additional depth and context. By examining the interplay of historical events, collective self-perception, and the evolution of national mythologies, the series offers a comprehensive understanding of the complex history of the Irish state.

First broadcast in 2000, Seven Ages remains a valuable resource for anyone seeking to unravel the diverse tapestry of Ireland's past and its enduring impact on the nation's present. Produced by Araby Productions in association with The O'Reilly Foundation for RTÉ and BBC Northern Ireland.

This woodblock, designed by Pieter van der Borcht I and carved by Antoni van Leest, was used for the title pages of the 1554 and 1563 editions of Cruijdeboeck by Rembert Dodoens, an influential early modern botanical work.

The intricate woodcut features mythological figures symbolising themes related to botany, aligning with the book's content. Notably, the 1563 edition introduced modifications to the design, replacing the central heraldic shield of Maria of Hungary with a floral vase, reflecting changing patronage or aesthetic considerations.

The woodblock exemplifies the Renaissance fascination with the intersection of science, mythology, and art. Signed by the creators ("P B" and "A") and preserved through its acquisition in 1876, this piece is a testament to the meticulous craftsmanship of 16th-century printmaking and its role in disseminating knowledge. It also underscores the Plantin-Moretus Museum’s dedication to safeguarding historical artifacts from the golden age of book printing.

‍

The festival of Samhain has long been regarded as a pivotal moment in the ritual calendar, marking the transition from light to darkness and the threshold of winter.

Observed across Ireland on the eve of 31st October, Samhain is steeped in traditions of heightened supernatural activity, the return of ancestral spirits, and practices of divination and disguise. It is a time when normal rules and behaviours are suspended, inviting mischief, mystery, and ritual to take centre stage.

In this edition of Blúiríní Béaloidis, Jonny Dillon is joined by special guest Dr. Billy Mag Fhloinn, a folklorist, archaeologist, author, and lecturer. Known for his expertise on Irish ritual and tradition, Dr. Mag Fhloinn has contributed to international productions by the BBC, PBS, and National Geographic Channel. His 2016 book, Blood Rite: The Feast of St. Martin in Ireland, explores another key festival in Irish folklore, showcasing his deep understanding of cultural practices.

Together, Jonny and Dr. Mag Fhloinn delve into the rich lore surrounding Samhain, discussing its enduring significance and the ways it continues to resonate in both historical and contemporary contexts. Listeners are invited to journey into the heart of this ancient festival, uncovering its layered meanings and enduring mysteries.

‍

The attempted assassination of Donald Trump has given rise to a powerful shared narrative that blurs the lines between politics, religion, and the supernatural. In the wake of the near-fatal incident, a fervent base of supporters has adopted a new interpretation of Trump's ordeal, casting him not only as a victim but as a martyred figure with divine purpose.

This article and associated media links examine how contemporary political propaganda has helped cultivate a messianic image of Trump, positioning him as a resurrected hero destined to lead a movement grounded in unwavering devotion.

Through the lens of modern mythmaking, Trump’s near-death experience is reframed as a miraculous event, with his supporters reimagining him as a savior figure—an embodiment of strength and resilience in the face of adversity. By exploring the role of martyrdom in this political narrative, we uncover how these themes resonate with ancient archetypes, shaping the beliefs and actions of his followers. The revival of such mythic storytelling serves not only to reinforce Trump's public persona but also to further entrench his influence in the complex dynamics of contemporary politics.

‍

Baltic brass scarf pins, inspired by archaeological discoveries, reflect the rich cultural heritage of the Baltic region.

These pins, often referred to as fibulae, were essential in fastening garments such as cloaks and scarves, serving both functional and decorative purposes. The designs typically feature intricate patterns and motifs, showcasing the craftsmanship of ancient Baltic artisans. Such artifacts provide valuable insights into the attire and aesthetic sensibilities of the Baltic tribes.

The RTÉ documentary Luke, directed by Sinead O’Brien and first broadcast in 1999, explores the life and legacy of Luke Kelly, one of Ireland’s most iconic folk singers and a founding member of The Dubliners.

The film chronicles his journey from his upbringing in inner-city Dublin to his untimely death at 44, highlighting his profound influence on Irish music and culture. Featuring archival footage and interviews with figures such as Bono, Christy Moore, and Shane MacGowan, it interweaves Kelly’s music with reflections on his passionate advocacy for social justice and cultural prideIn the context of national identity,

Luke serves as more than a biographical documentary. It underscores the enduring power of folk music as a vessel for storytelling and cultural continuity, with Kelly’s renditions of classics like Raglan Road and The Auld Triangle embodying Ireland’s struggles and aspirations. His voice became a symbol of a shared national mythology, connecting generations through its emotional resonance and defiance against cultural erasure. By celebrating Kelly’s life and art, the documentary reinforces how figures like him shape the narrative of a nation’s cultural identity. See links below.

Baltic brass brooches, adorned with symbolic sun and plant motifs, are inspired by archaeological findings from the Baltic region, particularly from the Roman Iron Age.

These brooches often feature intricate designs that reflect the rich cultural heritage of the Baltic tribes. The sun motif, a prevalent symbol in Baltic art, represents life, fertility, and the eternal cycle of nature. Plant motifs, commonly found alongside sun symbols, signify growth, prosperity, and the close relationship between humans and the natural world. Such brooches were not only decorative but also served functional purposes, fastening garments and indicating social status. The craftsmanship of these pieces showcases the advanced metalworking skills of the Baltic peoples and their deep connection to symbolic representation in art.

‍

‍

Long as the day is, night comes, and alas, the night is coming for me too... Someone else will have pastime out of my work when I'm gone on the way of truth. A person here and a person there will say, maybe, 'Who was that Peig Sayers?' but poor Peig will be the length of their shout from them.

This green bench where she used to do the studying will be a domicile for the birds of the wilderness, and the little house where she used to eat and drink, it's unlikely there'll be a trace of it there. For this episode of Blúiríní, instead of focusing on one aspect of tradition, we for the first time dedicate our explorations to one individual; Mairéad ‘Peig’ Sayers who, by her artistry and mastery as a storyteller in the oral tradition, skilfully managed to express the wisdom of the many in the wit of the few, and yet whose printed autobiographies (as Irene Lucchitti notes in an article in Folklore and Modern Irish writing) ‘experienced a decline in reputation, suffering critical disdain and schoolyard ridicule in equal measure’.

Now, nearly sixty-five years after her death, we hope to provide a platform through which her tales might find a new audience, one which, it is hoped, may find in her a source of inspiration and insight.

Philemon and Baucis, Accompanied by Zeus and Hermes, Inventory No. 11001, by Peter Paul Rubens is an artwork housed at the Royal Museum of Fine Arts in Antwerp.

This piece represents the mythological story of Philemon and Baucis, an elderly couple known for their hospitality toward the gods Zeus and Hermes, who visited their humble home disguised as mortals. In the myth, the gods reward the couple for their kindness by transforming them into trees, allowing them to remain together in perpetuity. The artwork captures this moment, showcasing the divine figures alongside the couple.

Gdynia stands as a modern myth of progress and national pride within the context of the Second Polish Republic.

Emerging from a small seaside village into a bustling port city during the interwar period, Gdynia became a symbol of Poland's rapid modernization and its aspirations for independence and prosperity. However, this transformation was also marked by deep political and economic tensions, revealing the complexities of Poland's socio-political landscape at the time.

The city's development encapsulated not only a triumph of infrastructure but also the struggles inherent in urban planning and the ideological narratives that shaped its growth. Gdynia’s mythos thus reflects both the aspirations and challenges of a nation in the throes of modernity, making it a powerful symbol of the interplay between progress, power, and political struggle.

‍

The goddess Giltinė, a prominent figure in Lithuanian mythology, represents death and the transition to the afterlife.

Her name is derived from Lithuanian words like gelti (to sting) and geluonis (thorn), reflecting her role as a bringer of death. Often depicted as an elderly woman with a blue-tinged face, a long nose, and a poisonous tongue, her appearance is both fearsome and symbolic of her grim duties.

According to legend, Giltinė’s transformation from a youthful and beautiful goddess into her ghastly form occurred after being confined in a coffin for seven years. As the sister of the goddess Laima, who governs life’s beginnings, Giltinė’s role is tied to life’s end, marking the cyclical nature of existence in Lithuanian folklore.

Stories of Giltinė often portray attempts by mortals to outwit her, reflecting humanity's desire to postpone death. Over time, Christian influences introduced the image of Giltinė wielding a scythe, aligning her depiction with broader European portrayals of death. Her lore continues to be a compelling exploration of mortality and fate within Lithuanian tradition.

‍