Emblem of Poland

Toporzeł 1929–1936, Stanisław Wyspiański

Narodowe Archiwum Cyfrowe, NAC
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Submission
ASP Katowice
Language
Polish
Source
Public Domain
Format
Archive
Era
Late Modern: 1800—1945
Sphere
Cultural
Submission
ASP Katowice
Language
Polish
Source
Public Domain
Format
Archive
Era
Late Modern: 1800—1945
Sphere
Cultural
Toporzeł by Stanisław Szukalski, photo: National Digital Archives (Polish: Narodowe Archiwum Cyfrowe); Stanisław Szukaski at an exhibition of his works at the Society of Friends of Fine Arts in Kraków, 1936, photo: National Digital Archives (Polish: Narodowe Archiwum Cyfrowe)

The Toporzeł is a controversial emblem created by Polish sculptor and painter Stanisław Szukalski in 1935, designed to replace the traditional White Eagle. The emblem fuses the imagery of an axe (topór) and an eagle (orzeł), symbolizing a reborn Poland and reflecting Szukalski's deep nationalistic and Slavic fascinations. This symbol, intended to evoke strength and national identity, has a complex legacy, tied to Szukalski's vision of a revitalized Polish culture and heritage.

However, the Toporzeł also carries a darker connotation. In early 1940, during the German occupation of Warsaw, the symbol was co-opted by some Polish anti-Semites who used it to mark Christian-owned shops, promoting economic boycotts against Jewish businesses. This association with nationalist extremism and anti-Semitism has marred the emblem’s original intent, highlighting how symbols of national identity can be distorted for harmful political agendas.

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